
A topographic urban scene threaded through Wadi Al-Aqiq · quiet, terraced, and emotionally connected to the land.
The valley has an old voice. We listened a long time, then drew what we heard.
Water knows its path, stone knows its place. We changed nothing · we only set the order again.
“Would that I knew · shall I spend one night in Wadi Al-Aqiq, urging the swift she-camels on?”
Rhythm of the scene
Wadi dawn
Cold stone, bird call, no engines.
Walking morning
Joggers, students, reading benches.
Held noon
Canopy shade, water surface cools.
Evening cinema
Open-air screen, terrace seating.
What the scene holds
Terraced public floor
Continuous stone terracing that holds water and movement.
Civic pavilions
Reading rooms, prayer spaces, a small museum of the wadi.
Native canopy
Ghaf, sidr, and native acacia. No imported species.
Slow programme
Walking, sitting, evening cinema, seasonal recitation.
Plan & section
Architectural drawings shown at study scale. Wall thicknesses, levels and tree positions are coordinated to the project's working set.
- AUpper terrace
- BMid walk
- CWadi floor
- DCivic pavilion
- EWater catchment
- FSidr grove
Brands inside the scene
A curated tenant mix · independent makers, slow operators and cultural programmes selected to hold the scene's daily rhythm.
Engineered figures
Visual document
Water section held by stone terraces and the city edge.
- Madinah Region Development Authority
- Saudi Heritage Commission
- Landscape research consortium (Riyadh / Lisbon)

MASHHAD / UNAIZAH COURTYARD
A composed courtyard scene built around shadow, slow movement and a curated daily-life rhythm in the heart of historic Unaizah.
Read scene →






